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AEIOU
Written and Drawn by Jeffery Brown
Published by Top Shelf; 12.00 USD

When someone is taking a look at an artist’s latest book it is tempting to see how it stands up against the rest of the books in that artist’s oeuvre. That can definitely lead to some insightful criticisms but sometimes it can be unfair to the artist, especially since most of them would want each book to stand on their own. Jeffery Brown’s latest work is similar enough to his past books like Unlikely and Clumsy that many readers would dismiss it and for someone who have followed this cartoonist’s career I can sort of sympathize with that take on AEIOU. On the other hand, for someone who has read only some or none of Brown’s work this book will have a very different feel to it. It’s worth considering this book on those terms.

Brown’s greatest weapon in telling this tale of a relationship gone by is his almost painfully direct art style. Like many cartoonists Brown’s style is one based on simply drawn characters in a simply drawn world. “Chicken scratch” is one way Brown’s style has been described as. This might seem unskilled but it does in fact lead to great comics. One way to go about accomplishing great art is about having a distinct vision and communicating it well with your audience. This raw art style is one of the best ways many cartoonists achieve this. Brown, Sam Henderson, James Kochalka and Tom Hart all employ an incomplex style but if you have all of them draw the same comic there’s no way you could confuse one with the other. They’ve all achieved a singular fashion of drawing that compliments their storytelling and their talent.

AEIOU (or, as it is known on the front cover, Any Easy Intimacy) is a series of vignettes about Brown’s relationship with a woman named Sophia. The narrative is broken up by just seemingly unrelated scenes from the relationship placed one after the other. It is Brown’s own manner of autobiography that benefits from this. There seems to be no second guessing when it comes to relaying this private and personal information to us readers. Every sequence feels as if it just happened to Brown and he quickly scribbled it down on a napkin to get his true feelings out before his midned starts clouding up things. Many times things will happen between Sophia and Brown that are so important to the continuation of their partnership that you immediately wonder how they work it out, until you find that this book is how half of that relationship is working it out. All of Brown’s personality, from his sweetness to his naiveté, is on display here. Sophia is treated with the same honesty but she, as well as everybody else, is portrayed through Brown’s eye. The book resides in a place between detached and one-sided. That tension makes for a really fascinating read.

Brown writes in the end that Sophia’s side of the story is “necessarily lacking.” Perhaps reading this she will be inspired to tell her side of the story (one of the great things about Brown’s art is that it says “anyone can do this”). At the very least we can hope that Brown continues to inspire many younger cartoonists to create comics as good as this one.

-- Ian Brill

Send review copies to:
Ian Brill
750 Font Blvd. B 525
San Francisco, CA 94132


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[COMIC BOOK GALAXY IS COPYRIGHT (C) 2006 BY COMIC BOOK GALAXY PARTNERS; ALL RIGHTS RESERVED]